Electronic


The first polyphonic digital sampling synthesizer was the Australian-produced Fairlight CMI, first available in 1979. In 1974, the WDR studio in Cologne acquired an EMS Synthi 100 synthesizer, which many composers used to produce notable electronic works—including Rolf Gehlhaar's Fünf deutsche Tänze , Karlheinz Stockhausen's Sirius (1975–76), and John McGuire's Pulse Music III . IRCAM in Paris became a major center for computer music research and realization and development of the Sogitec 4X computer system, featuring then revolutionary real-time digital signal processing.

Japanese Electronic Music

These techniques were used to compose soundtracks for several films in Germany and Russia, in addition to the popular Dr. Jekyll and Mr. Hyde in the United States. Experiments with graphical sound were continued by Norman McLaren from the late 1930s. Developments of the vacuum tube led to electronic instruments that were smaller, amplified, and more practical for performance. In particular, the theremin, ondes Martenot and trautonium were commercially produced by the early 1930s. This paper proposes a channel sounder to measure the channel properties of an implantable device that transmits data from inside to outside the human body. The proposed channel sounder measures the receiving power of a signal transmitted from outside the human body.

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An important technological development of that year was the invention of the Clavivox synthesizer by Raymond Scott with subassembly by Robert Moog. They were almost solely responsible for the electronics revolution of the first half of the twentieth century. They allowed for vastly more complicated systems and gave us radio, television, phonographs, radar, long-distance telephony and much more. They played a leading role in the field of microwave and high power transmission as well as television receivers until the middle of the 1980s. Vacuum tubes are still used in some specialist applications such as high power RF amplifiers, cathode ray tubes, specialist audio equipment, guitar amplifiers and some microwave devices.

Definition Of 'electronic'

When a key is pressed the tape head contacts the moving tape and plays a sound. The Mellotron was the most notable model, used by many groups in the late 1960s and the 1970s, but such systems were expensive and heavy due to the multiple tape mechanisms involved, and the range of the instrument was limited to three octaves at the most. To change sounds a new set of tapes had to be installed in the instrument. After the arrival of punk rock, a form of basic electronic rock emerged, increasingly using new digital technology to replace other instruments. The American duo Suicide, who arose from the punk scene in New York, utilized drum machines and synthesizers in a hybrid between electronics and punk on their eponymous 1977 album. Simultaneously in San Francisco, composer Stan Shaff and equipment designer Doug McEachern, presented the first “Audium” concert at San Francisco State College , followed by work at the San Francisco Museum of Modern Art , conceived of as in time, controlled movement of sound in space.

English Language Learners Definition Of Electronic

Xenakis used computers to compose pieces like ST/4 for string quartet and ST/48 for orchestra , Morsima-Amorsima, ST/10, and Atrées. He developed the computer system UPIC for translating graphical images into musical results and composed Mycènes Alpha with it. The avant-garde collective Jikken Kōbō , founded in 1950, was offered access to emerging audio technology by Sony. The company hired Toru Takemitsu to demonstrate their tape recorders with compositions and performances of electronic tape music. The first electronic tape pieces by the group were "Toraware no Onna" ("Imprisoned Woman") and "Piece B", composed in 1951 by Kuniharu Akiyama. Many of the electroacoustic tape pieces they produced were used as incidental music for radio, film, and theatre.

"From at least Louis and Bebbe Barron's soundtrack for The Forbidden Planet onwards, electronic music—in particular synthetic timbre—has impersonated alien worlds in film" (Norman 2004, p. 32). Other recent developments included the Tod Machover composition Begin Again Again for "hypercello", an interactive system of sensors measuring physical movements of the cellist. Max Mathews developed the "Conductor" program for real-time tempo, dynamic, and timbre control of a pre-input electronic score. Morton Subotnick released a multimedia CD-ROM All My Hummingbirds Have Alibis.

The ECB’s Governing Council has approved a new oversight framework for electronic payments following a public consultation. The framework is designed to make the current and future payments ecosystem safer and more efficient, as part of the ECB’s statutory task to promote the smooth operation of payment systems. This article proposes a quasi-Z-source -based Inductive Power Transfer system for Electric Vehicles charging applications. The IPT systems use the magnetic field to transfer power between two coils wirelessly, achieving improved reliability, safety and less environmental impact. Editor’s Choice articles are based on recommendations by the scientific editors of MDPI journals from around the world.

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